They are expected to bow at the end of the year. This show had so many possible paths to venture down, I can not believe starz arrrrh , honestly the excuse was it was just to expensive to continue doing the show!! Gentleman-mobster, Sergei Zelenkov Patrick Page , is a wealthy ballet aficionado. Bright and sweet, Romeo is living with untreated schizophrenia, which contributes to his peculiar take on the world. It's an extravagant production that, Weiner says, usually requires a cast of 200.
Quick-witted New Jerseyan, Mia Emily Tyra , is assigned to room with Claire. I grew up in Southern California and trained at fantastic schools, but there are few and far between, so you have about four or five options of top schools in Southern California. They'll be keeping us pretty busy. What, if anything can you tell us about that character? Pop Culture Principle — Do you think the discipline you are taught as a dancer helped you in your preparation as an actor and how so? Raychel Diane Weiner — I was really surprised when I got the call that I had booked the episode. Coming off of a premium network show and going into an ultra-low budget indie film was a big difference, but it was neat. I was happy with my job at the time, but I started getting more and more emails from people who said that this character Daphne sounded like me.
It's a wonderful asset to have because I am aware of my body, I understand timing, I can maneuver around a set without having to look where I am going because I am used to stages and things like that, but it also can be a little restricting. Remember, Bosch returns for its third season on April 21st, exclusively on Amazon. I wanted to take it home. Pop Culture Principle — Where do you see yourself and your career five to ten years down the road? While Romeo always wants to do right, his nature and illness sometimes leave him unbalanced. But a lot of it is reality, so it was exciting to show what some have to deal with. Pop Culture Principle — You recently had the premiere of your film Hickey.
Raychel Diane Weiner — I was so shocked when I met Titus Welliver. Everytime there is a show worth watching some network cry baby thinks its not good. So it's exciting to play, perhaps, an exaggerated version of myself. You know, I kind of got that tough girl thing going on, so why not utilize it! Titled Flesh and Bone, the miniseries explores the world from the perspective of the people associated with the American Ballet Company, and while there are some strong ideas and themes presented, the series unfortunately fails to develop them effectively. Cast: Ben Daniels, Sarah Hay, Emily Tyra, Josh Helman, Damon Herriman, Irina Dvorovenko, Raychel Diane Weiner, Tina Benko, Sascha Radetsky, Karell Williams, Patrick Page. Her fellow producer Kevin Kelly Brown comes from a family of dancers who served as the basis for the classic dance film The Turning Point.
I am super grateful and I have stumbled into this industry and have had some success already. Mia hides her insecurities and her mommy-issues behind her sharp sense of humor. Follow Jackalope Ranch on , , and. Even when she uses the money as leverage to become a soloist, she maintains that it would have happened regardless. It takes a certain type of mental and emotional state to do this job.
Leading man and philanderer, Ross Sascha Radetsky , is a principal dancer. Out and proud, the snarky Trey Karell Williams , is adored but feared by the ballerinas. The choreography on shows like that are so good and the music. Weiner says she connected with her character quickly and almost feels like she's player a more dramatic version of herself.
How far will he go to get what he wants? Production: Filmed in New York for Starz. Daphne finds herself in the spotlight while Claire rises to artistic transcendence. Of course, there's a lot about the character that I don't know. What was it like working on that series? It is a very sexy show, but it was a lot of fun.
There was no hiding at all in that episode and that is probably my proudest moment. That seems to be the problem now days. The series explores the dysfunction and glamour of the ballet world. While his abandonment issues are touched on in the story he tells about his foster parents, his exertion of control over Ross, followed by his undermining of Trey at the party, seem to serve no real purpose, as the character motivation behind both actions does not come through at all, instead simply making Paul seem egocentric to the point of self-destructiveness, a character trait that is not only borne out in his other actions, but which is not balanced out by any degree of talent that would indicate why he continues to be employed by the American Ballet Company. Yet as the story of aspiring ballet star Claire Robbins unfolds, it only intermittently lifts off.
As far as my character is concerned, again it is something a little different for me. As a dancer seeing shows and movies that are kind of built around a ballet company, they're always very exaggerated. Of course, Claire is not the only one whose control is examined, as the stories of both Jessica and Mia are interesting to watch. I am really excited to see what those episodes look like.